The term clean meat does not refer to the act of actually cleaning a piece of meat but rather the technology of producing meat in a laboratory through cell replication. How does that work? Well, it’s just easier to watch this video that gives you a nice intro on the subject:
When people tell me they are worried about the incoming robot revolution, I know they’ve probably seen a clickbaity article based on some well-known quote by a famous person (like Elon Musk) in which they predict an artificial intelligence-based doom for humanity. Either that or they’ve seen Ex Machina or the latest episode of Westworld or some other catastrophic movie, tv-show or book on the aforementioned theme.
This is a normal reaction. It’s the same with sharks. Even though they are responsible for a very small fraction of human deaths in the entire world per year (less that vending machines), people still have that image of the relentless killing machine from Jaws. So, the same concept applies to artificial intelligence and the image of the impending robopocalypse.
I’ve always been a fan of podcasts ever since I bought my first iPod (which is now over a decade ago), because I’m able to listen to them anywhere while doing other things (like driving, cooking, etc.). And the world of podcasting content has only gotten better. In the past few years, podcasts have gain more notoriety and stopped being viewed as that niche media that only geeks use. They have become massive online repositories of interesting audio content, specially after major radio broadcasting networks have adhered to this format so intensively.
But one of the things that I like the most about podcasts is the freedom they give to content creators to go back to one of the most interesting features that radio broadcasting used to have: telling smaller less-known stories about individuals or places that you may not have heard before. And I’ve been focusing more on listening this kind of podcasts.
… is to drink the “perfect martini” as he himself describes it.
Living in the shadow of the great Sean Connery meant that many didn’t consider him a worthy James Bond, but he sure made the 70’s and 80’s Bond look cool (and very much entertaining). He’s the first Bond I watched and therefore he embodied that persona in my head. It hasn’t until a few years later (when my father told me that there were other actors impersonating this British spy) that I became acquainted with these other iterations of the enigmatic “Bond, James Bond” character. But at that time, the Roger Moore’s take on James Bond had already stuck in my head and everything else felt short in comparison.
So, it’s sad to see him go, but it’s a good thing that he left this great body of work for all of us to enjoy.
R.I.P. Mr. Moore. Now you can drink as many martinis as you want.
I don’t usually care about in-flight entertainment, since I carefully plan what I’ll be watching, reading or working on during flights and I pre-pack my laptop and kindle with the necessary stuff. However, last week I was travelling to Angola and the plane I was in had one of those neat in-flight entertainment systems per seat and I decided to try it. It was packed full of movies, tv shows and music and since I had a few hours to kill, I decided to watch a couple of movies (and maybe doze off until arrival).
I’ve always found Carl Sagan’s voice very hypnotic (if you haven’t yet, go listen to one of his audiobooks – one narrated by him, of course), allowing me to carry my imagination into faraway worlds.
This short film depicts some of those worlds with the ambition that only Carl Sagan’s words fuel:
Every time I see a video where Apollo Robbins, a well-known master pickpocket artist, shows his skills I’m fascinated by the way he manages to fool the mind of his unsuspected victims.
In this TED talk he gives us a glimpse on how this is as much a work of physical misdirection as it is of cognitive misdirection. And please watch it ’till the very end. Your jaw will drop as you yourself become a “victim” of his misdirection techniques.
If you want to know more about Apollo and how he came to be this magnificent artist, read this great article in The New Yorker.
In 1959, Isaac Asimov wrote this essay on creativity, postulating on the elements that fostered creativity in humans. As usual, he was right and I have a story from my PhD that somehow proves his statements.
The story proves the baseline argument from the essay: isolation is definitely necessary but it’s the informal discussions within small groups that allows the teams to nurture novel concepts and apply abstract ideas to other environments.